Author Archive

Album Reviews – Marnie Stern: “This Is It…"

Artist: Marnie Stern
Album: This Is It & I Am It & You Are It & So Is That & He Is It & She Is It & It Is It & That Is That
Label: Kill Rock Stars
Release Date: October 7th, 2008
Decision: 3/5 Mediocre…After a While
Favorite Tunes: “Prime”, “Ruler”

1. The Background

Whoa, this album will wake you up! New York City musician Marnie Stern has released her 2nd album on Kill Rock Stars (a while back mind you, I’m a bit late) and she definitely has my attention. Trying to disregard the extremely long name of this album, I sat down and listened to these 12 short tracks for about a month before thinking about writing a review for it. A note of interest: Marnie Stern did all the guitar tracks for this. Amazing! Read the rest of this entry →

26

11 2008

Live Shows: Radiohead in VA Version 2

Another version of the events of May 11th, 2008, in which Radiohead played a concert during Noah’s Second Flood, can be read here.

Go read the bloody thing!!!!

14

05 2008

Live Shows: Radiohead in VA Version 1

Artist: Radiohead
Venue: Nissan Amphitheatre, Bristow, VA
Date: 05/11/2008

Radiohead is powerful. It’s amazing stuff. It’s moving and uplifting. Forceful and exciting. It grabs you by the shirt collar and says, “Hey. It’s time to pay attention.” Radiohead is the visual and physical equivalent of Kurt Vonnegut’s trademark phrase, “Listen:”.

Radiohead was almost able to save last night, but it was just far too miserable. Read the rest of this entry →

12

05 2008

The Night has come!

My dear friends,

The Mog will be headed out to VA tonight to see Radiohead.

The Mog will tell you all about it.

Signed,

the Mog

**Edit**

This review will have to be posted by someone who could stand through torrential rainfalls and brisk winds. It was nasty out there, folks. It was real nasty.

11

05 2008

Say "Hola!" to McTwist!!!

McTwist?! Who the Hell are these guys and why should I give a f*ck!?

Maybe you shouldn’t, but I’d check them out.

These guys are good (I’ve yet to see them play live yet), but I do like their songs on their Myspace (which you can check out by going here: Here!)

And this site won’t do heartless plugging, so there’s actually substance to these guys. I really like Achilles Tendency (I think it’d be a great song to use if I ever make an 80’s pop film (and I could if I wanted to)), so check that one out and then check out Late Night, Long Day which I think is an interesting 50’s/90’s pop/rock song. Hope they make an album soon so I can give it a raving review (or completely destroy it ; ))!

Anyways, they’ve got these shows lined up in your area:

May 16th, 2008 @ the Sterling Community Center in Sterling, VA @ 8PM
May 24th, 2008 @ the Brass Monkey in Baltimore, MD @ 10PM

Oh, and they look like this:

McTwist - 3 of them jumping in the air for what seems like no f*cking reason.

Their music is better than their band pics, I promise. What the Hell are they doing in this picture??

Check ‘em out! See them live! Shave their armpits!

10

05 2008

Album Reviews – Nick Cave & the Bad Seeds: "Dig!!! Lazarus Dig!!!"

Artist: Nick Cave & the Bad Seeds
Album: Dig!!! Lazarus Dig!!!
Label: Mute
Release Date: April 8th, 2008
Decision: 3/5 Mediocre…After a While
Favorite Tunes: “Dig!!! Lazarus Dig!!!”, “Today’s Lesson”, “Albert Goes West”

1. The Background

Frickin’ 90-year old (OK, he’s actually 50) musician and writer Nick Cave and his band of Seeds that are Bad put out yet another album in search of the roots that made them famous back in the day of said famous-ness. What follows is one song referencing the Lazarus story from the Bible and then a bunch of other songs about weird yet cool things. 11 songs, about 53 minutes long. Sigh. Here we go:

2. The Substance

I’m going to be writing a post about the concept of an “album” and how it should be perceived by the artist, but that’s for another time. However, some things that make up my “album concept” bothered me about this album. More on that in the Decision. So, let’s talk quality: Great recording quality here, no real surprise, though. Cave shouldn’t have any problems scrounging up enough money for a decent producer. His vocals really come out clear and crisp and his deep monotone…umm tone shines through also. The Bad Seeds are an amazing band (I especially like the bassist) and they seem to really employ classic and modern effects in their music, and they mix things up enough to keep things moderately interesting throughout. The songs have some interesting concepts, and Cave is skilled enough as a writer to employ various forms of description that range from being simplistic to very graphic.

3. The Decision

3/5 Mediocre…After a While. I was going to give this a 4/5. I really liked it in the beginning. However, I just feel like it lacks the longevity that a 4/5 album should have. I don’t listen to this album anymore. It’s just not as attractive as it was at first. Here’s what I think the problems are: Cave is way to fantastical. His story-telling is so outside-the-box and strange that you’re never really quite sure what he’s singing about. Also his lyrics flow from his mouth so quickly and offbeat that it’s ridiculously hard to sing along easily unless you’ve studied the album religiously. I also wish his voice was more versatile. OK, so he whispered a couple of times, but after that it was just the same ol’ Nick Cave boom. The songs are kind of long, and that is most annoying in “We Call Upon the Author” where all Cave does is blabber quick lines of lyrics and then yells “We call upon the author to explain” about 50 times, because he seems unaware that the listener knows the chorus already. And again, I had hope, because the album was flowing so well, especially through the first three songs, but you really lose track of what’s going on. I believe that it is the artist’s responsibility to keep me in line during my listen. Don’t necessarily guide me, but don’t lose me halfway through. This album got a lot of raving reviews, but I hate to base my opinion of an album off of one listen. This is where I believe my reviews differ from other sites. I listened to this album a lot, to see if I would think it was better with each listen, but really, it just became more forgettable. Still, check it out if you get the chance.

07

05 2008

Album Reviews – Murder By Death: "Red of Tooth and Claw"

Artist: Murder By Death
Album: Red of Tooth and Claw
Label: Vagrant
Release Date: March 4th, 2008
Decision: 4/5 A Worthy Purchase Indeed
Favorite Tunes: “Comin’ Home”, “Theme”, “Spring Break 1899”

1. The Background

This is the fourth full release from Murder By Death, and my goodness, is it a good one. I really enjoyed Who Will Survive, and What Will be Left of Them? but thought In Bocca al Lupo was dissapointing, so I was hoping their latest release would get me excited again. For a broad idea of this band’s sound, think Westerny Folk Rock. Yeh. Modern music for that showdown you have at noon in front of the saloon.

2. The Substance

Acoustic guitars, electric guitars, keyboards, cellos and amazing vocals fill this album. Adam Turla’s vocals are really spot on here, and (did anyone notice?) his voice is so much deeper and more powerful than on previous releases. It’s like he aged 30 years in 3, but it’s really not a problem for the album; it adds to the overall feel. The lyrics are descriptive and very story-like (another of Mr. Turla’s talents), but the only thing lacking in them are the simple choruses. It doesn’t necessarily harm any of the songs; they just seem to be almost too simple for what I’d expect from this band. However, that was just a minor thing I noticed; the metaphors and imagery used in this album are excellent. Every instrument is recorded well, though I felt the keys could have been emphasized a bit more. They seem to get lost in the background a little more than I’d like in some of the busier songs. The arrangements are well done, though, and I especially enjoyed “Theme”, the only instrumental track on the album. This band seems to understand where lyrics aren’t essential to a song and the track serves as a good break from the action.

3. The Decision

4/5 A Worthy Purchase Indeed. Purchase this album! It may be something you’ve never really heard before (because it is different), but it’s definitely a good buy. Give it some time and you’ll most likely come around. It’s enjoyable beginning to end. Start this album anywhere between and it runs just as well. The last song is an especially interesting end to the story. These guys are also on tour right now, so look out for them around your area. I’m sure they’re great live.

28

04 2008

Knowing When* (an article on Adaptation)

There are a lot of key elements that make a musician descent.  One of the ones I experience often is knowing when to adapt.  This mainly goes out to rock bands.  In practice sessions, your amps do need to be up a little to be heard in the mix, but lets talk about live performances a little bit.

Time and time again, musicians come into the bar and refuse to adapt because they know no better.

I’m here to tell you to trust your sound guy.

I know its a hard thing to do, but what makes a good sound guy is the ability to control a band.  Sound comes out of your amps, into the mics, and to the board.  Here’s the critical part: The board tells the PAs how much of the sound going into the mic to project.  The louder your amp is, the less sound is coming out of the speakers, and the less control the engineer has.  There is a little angled speaker in front of you called a monitor.  That monitor is controlled by the same channel controlling the main PA’s.  The louder you are the less we can put through those monitors, so the less you’re going to hear yourself and the other musicians.  That’s only your problem.  Our problem is that you’re making your band sound kinda crappy because you can’t be balanced evenly with the ensemble.

There are only a few things you need to do to adapt to this setting: First, before you pack your stack up for the gig, turn your master down 2 notches (unless you have an Orange, then see how big the venue is first, you may need another amp for this gig); Second, don’t be afraid to tell the sound guy what you want in the monitors and how much, that’s what we are there for; Last but not least, BALANCE YOUR PEDALS!!!.  Nothing is more damaging to your sound than a drastic volume change in the live setting.  Consistency is your goal.  The more control you give your sound guy, the more you’re gonna get what you want all the way around.

Good luck and keep it unified.

~C.A.Mooneyhan

*Article copied and edited with permission from http://composingsilence.wordpress.com/

25

04 2008

Album Reviews – Bright Eyes: "Cassadaga"

Artist: Bright Eyes
Album: Cassadaga
Label: Saddle Creek
Release Date: April 10th, 2007
Decision: 4/5 A Worthy Purchase Indeed
Favorite Tunes: “Four Winds”, “If the Brakeman Turns My Way”, “Hot Knives”

1. The Background

You know the story. Mr. Conor Oberst sits in a basement making tracks of him crying and people are like, “oh, this is good!” and he starts a band. Album number 10 or something from this group came out last year. Influences range basically from religion to love and maybe some existentialist ideas.

2. The Substance

It’s good. Great sound quality and great instrumentation. Every song feels like it’s been thoroughly planned out, and at some points in the album, I really found it fascinating that a group could actually develop these ideas and form the type of song I was listening to. It makes me wonder how much influence the entire group has in song development. The first 4 or 5 tracks will have your ears at full attention, but just like you can’t listen to a lecture for more than 10 – 15 minutes, you’ll eventually start to get bored. I listened to this album in different ways: I listened front to back to see how long it held my attention, then from the middle to end to pay attention to the second half (because I already loved the first half). I decided this: BUY this album. It’s an amazing album, but if you don’t feel like shelling out the $$$$ for the disc, then purchase the first 4 tracks on iTunes or something or other and enjoy them. I could have done well with a 4-song EP with just those first 4 tracks and I would’ve listened the blasphemy out if it.

3. The Decision

4/5 A Worthy Purchase Indeed. Again, it’s a great album. It just suffers from being too long. I really like the first half, but the album’s arrangement gets a bit strange after a while. Bright Eyes starts out with this folky, country set that is energetic and powerful lyrically, but then the songs drift to this boring repetitious folk style that got old after Dylan did it 50 times, and then we shift to a mystic, tribal song style that just left me confused with the album’s focus. I don’t mind the genre-switching (ok, I do) but at least give me a reason for doing what you’re doing. These things are what prevent “Cassadaga” from being a perfect album. They left on some songs that seemed a bit like filler and maybe didn’t think about the complete package as much as they could have. This album excites me about future Bright Eyes albums, but I really hope Mr. Oberst doesn’t get too spaced out on me.

23

04 2008

Album Reviews – She & Him: "Volume 1"

Artist: She & Him
Album: Volume 1
Label: Merge
Release Date: March 18, 2008
Decision: 3/5 A Mediocre Minute
Favorite Tunes: “Sentimental Heart”, “Change is Hard”, “Untitled”

1. The Background

Zooey Deschanel, the popular actress from such movies as Elf, Eulogy and Winter Passing, has already proved that she has a voice. Mr. M. Ward, popular musician and supporter of shortening first names to single letters, has already proven his ability to make popular tunes. These two artists get together and decide to make an album. The world waits…and listens…

2. The Substance

First of all, this album has great sound quality, which is of no surprise since these two artists have essentially unlimited resources when it comes to recording. There are a couple of songs where Mr. Ward and Ms. Deschanel even went lo-fi and that’s a welcome sound that adds a little warmth to such high quality songs. Ms. Deschanel’s vocals are crisp and clear and are certainly the center of every track. This album has 13 songs, with one untitled tune at the end (a cover of “Swing Low, Sweet Chariot”) and is the perfect length for an album. There are two covers that I know of on this album, one being the above reference and a cover of Smoky Robinson’s “You Really Got a Hold on Me”. The songs deal with love and romance and are mostly energetic, minimalistic and well organized.

3. The Decision

3/5 A Mediocre Minute. I wanted to LOVE this album. I wanted it to rock me so hard I’d have to listen to other albums constantly to keep these songs out of my head. I was looking forward to Zooey Deschanel’s strong and soulful voice singing me songs of broken heartedness and pain. I wanted to be dragged back to a time where soul and rhythm & blues were powerful. Perhaps that was my mistake, though. I expected something and didn’t get it. I realized that the first time I listened to the whole album. I wanted something Ms. Deschanel and Mr. Ward didn’t want to give. Ms. Deschanel wanted to sing love songs with simple lyrics and melodies and I realized that was fine. It’s still not that great, though. I adore the first song. It’s Zooey’s cute voice with a cute melody and a nice ending. The rest of the songs are just a bit mediocre, though, and other than the almost acapella Untitled, her voice doesn’t hit that soul power that she has in her. Mr. Ward’s music arrangements are simple and far from being fascinating or ground breaking. And his added whispery, shaky vocals DO NOT jive with the strong, smooth flow of Ms. Deschanel’s voice. The songs where he does add backup would have done well without him. This album is worth a listen, but you won’t be missing anything spectacular if you happen to let it pass by. Hopefully all the good songs have been reserved for “Volume 2″.

11

04 2008